This didn’t turn out as intended.
I bought some wonderful red and yellow pears from the supermarket and began what I thought would be a loose, somewhat abstract acrylic painting. I began with the pen and ink drawing below, which would be a framework over which the colour would wander freely.
As soon as I started painting I began to feel inhibited: I was keeping the colour within the lines, there was no abandoned application of colour – it became a rather tame, if stylised, painting of some pears.
It’s a long journey from the mind to the hand. It takes a left at confidence, slows to a crawl around daring, reverses awkwardly into imagination and finally ends up parking badly at judgement.
Better luck next time.
Although I agree completely with your well-put thoughts about the sometimes unpredictable journey from mind to hand, I still like this picture, especially the composition and colours. But I do understand your frustrations – been there plenty of times! 🙂
LikeLiked by 3 people
Thanks, Rebecca. We know that road!
LikeLiked by 1 person
It may not be what your mind’s eye saw but these pears are beautiful in their own right. Amy
>
LikeLiked by 3 people
Thanks, Amy, much appreciated as always.
LikeLike
Then there’s that long stop off in doubt before taking a short cut down what we’ve done before, that’s if i can get the car started in blank canvas!
LikeLiked by 3 people
Well put…..have to keep going!
LikeLiked by 1 person
Thanks, Anna – onwards and upwards!
LikeLiked by 1 person
Its good too to share to share the downs as well as ups to give transparency to the creative process.
LikeLiked by 1 person
Love that last paragraph!! Wisely stated Michael. So true…yet I really do like this one. It’s balancing in such a great way between two intentions that it’s sooooo compelling!! I vote happy accident. 😉
LikeLiked by 3 people
Thank you, Charlie!
LikeLiked by 1 person
I like this very much. I’m also with Charlie on digging that last paragraph. Good work and solid reflection.
LikeLiked by 1 person
Thanks, Kirk, much appreciated. Hope you’re well?
LikeLiked by 1 person
Hey Michael, thanks for the note. I’m doing well. Teaching and grading had taken most of my time for the past few months but I hope to get back to drawing the occasional dumb sketch and posting things for no one to read. I like those pears!
LikeLiked by 1 person
Looking forward to both! Thanks again, Kirk.
LikeLiked by 1 person
I like the ink lines that extend into adjacent pears. Perhaps the freedom you sought “outside the lines” in painting came earlier in the process when you intersected solid objects’ forms.
LikeLiked by 1 person
Could be, Howard – perhaps I was trying to do too much in one painting.
LikeLike
I agree with Charlie and Kirk about the last paragraph. That is some great wordsmithing! I enjoy the painting as is but I understand your frustration. When I have a painting that does not turn out as I want it (and that is ALL the time since I am not a painter) I take a small piece of it that I do like and start from there. I do this with my writing, too. “Whatever it was that I felt was the weak link in my previous project gave me inspiration for the next one.” ― Joni Mitchell
I look forward to seeing what comes of this. And I hope the pears were sweet.
LikeLiked by 1 person
Thanks for your encouragement, LuAnne, and for that fine piece of wisdom from the great Joni Mitchell. The pears were lovely.
LikeLiked by 1 person
I really like this kind of illustration and I agree with Charlie: happy accident!
LikeLiked by 1 person
Many thanks, Birgit, really appreciate it!
LikeLiked by 1 person
They still look good though! Someone told me it’s a good idea to put the paint on first in approximately the right place, loosely, wet in wet maybe, and then add just sufficient line afterwards when it’s dry.
LikeLiked by 1 person
That sounds like good advice, Eleanor. I have a painted piece of paper lined up to try that. Many thanks!
LikeLike
Michael, before reading your description of your process, my first thought was ” wow, the color, it really pops off the page. I’m very attracted to your painting. But, I understand exactly what you described. I walk that path, too, many times.
LikeLiked by 1 person
Thanks, Sharon, that’s very encouraging to hear. I always appreciate your support.
LikeLiked by 1 person
😄🌺
LikeLiked by 1 person
How about the other way around? Paint the colour and then find the outline……… Your painting is great anyway, it is too easy to be critical of ones own work. At least you are doing it!
LikeLiked by 1 person
Thanks, Sue. Yes, I think colour first would have been the way to go. I’ll give it another go at the weekend. Are you still on Ed’s course? I must try and get back on in the Autumn.
LikeLike
Yes, still life drawing with Ed, and enjoying it.
LikeLiked by 1 person
Your last paragraph describes exactly why I stopped going to art classes. I gave up waiting for the recovery service to come out!
LikeLiked by 1 person
“Ever failed? Try again. Fail again. Fail better.” – Samuel Beckett. There you go!
LikeLike
Thanks for sharing Michael, it’s heartening when I read about other artists’ struggles as well as their successes, but I have to say that colour is absolutely mouthwatering, even if it’s not as loose as you set out to do 😉
LikeLiked by 1 person
Thanks ever so much, Phil, for that I have to thank the pears!
LikeLiked by 1 person
But still a lovely piece. We artists are our most severe critics but that is so much better than complacency
LikeLiked by 1 person
Thanks Rosie, that’s great to hear.
LikeLike
That last paragraph is going in my Book Of Great Quotations (aka my sketchbook). Oh how true and how wonderfully well put! Do you ever read Liz Steel’s blog? I follow it – and she’s always going on about line versus shape and colour – and when why and how. Whether to be looking at shapes and volumes or edges. It’s a very interesting area, particularly for those of us who love using ink lines and washes of colour. Thanks – oh how I loved this post!
LikeLiked by 1 person
Thank you so much – that means a lot to me. I’m so pleased you found something of interest in it. I didn’t know Liz Steel’s work but I’ll certainly sign up for updates – with Charlie O’Shields’ Watercolour Month coming up I’ll be hopefully doing a lot more line and watercolour so your recommendation comes at a good time! Thank you again.
LikeLiked by 1 person
I see nothing wrong with this painting. Beauty is in the eye of the beholder. I visited an art museum recently and in the contemporary section, there were these massive paintings of what looked like someone simply took buckets of different color paints and sprayed the canvas as a child would. To me this is not art. To someone else it is art. In my opinion, there is no right or wrong, it just is what it is, and it is up to the viewer to decide the interpretation, not the artist.
LikeLiked by 1 person
I suppose it’s more the distance between intention and reality than the intrinsic merit of the picture itself: it didn’t turn out like the picture I had in my head. Contemporary art can be divisive, I know, but abstraction isn’t that easy I find. I’ve been lot lately about abstracting realistic subject matter, which I find a very stimulating idea
Thank you for your thoughtful and kind comments – much appreciated.
LikeLike
nice
LikeLike
Thanks, Nia.
LikeLike
your welcome
LikeLike
Pingback: Daily Drawings – Martha Lightfoot – Illustrator
this really IS a very appealing artwork!
here is a thought…. sometimes I consider paintings to be like ‘children’ I have my own hopes and aspirations for the direction and path I’d like them to go. and then they go their own way. and I love them in their own path just as much. I know, its a far stretch linking a painting, to a child – but it has worked for me on occasion. 🙂
LikeLiked by 1 person
Certainly some drawings and paintings do seem to lead their own lives!
LikeLiked by 1 person
yes – mostly, I think that is a good thing. most of the time, until I get irritated. lol
LikeLiked by 1 person