
Cherries I (Grazalema) (A5 sketchbook page, ink and watercolour, 2016)
In painting terms, it didn’t go as smoothly as planned on our Andalusian holiday. Although I have Felix Scheinberger’s book on watercolour to hand where he warns specifically against it, I was too focussed on the ‘finished’ picture instead of what he eloquently calls enjoying the 100 small steps on the way.
Then one day the owner of the cottage where we were staying (near Grazalema) left us a plate of fresh cherries. Their various shades of red – from deepest blood to an almost yellowy orange – begged to be painted, not in any mimsy, nineteenth century Sunday afternoon sort of way, but boldly and loosely, enjoying some of the 100 small steps.
So here are two, painted in the shade of an Andalusian summer’s day, noting once again that it just needs some small inspiration – a gift of cherries – and hearing what the masters have to say.

Cherries II (Grazalema) (A5 sketchbook page, ink and watercolour, 2016)
I love the boldness of both paintings but I have to say the randomness of the first one really captures my attention. I love the depth, the shaping, the shadows, and even the hints of what is unseen. I think I would like reading Felix Scheinberger as 100 small steps seems to be the way I approach art myself. These are great way to wake up on the first morning of summer.
LikeLiked by 1 person
Thanks, LuAnne. I painted the second one because I love a grid! Felix Scheinberger’s book is available in English but I’m sure I’ll be posting more based on his practice over the coming weeks. It’s so full of good sense. This morning I read section about using colour to enhance the narrative element of the painting to which I want to return.
LikeLiked by 1 person
That sounds interesting. I can’t even imagine what the narrative element of painting much less how color could enhance it but I am looking forward to your future posts on this topic to learn.
LikeLiked by 2 people
I love both those cherry paintings! The bold way you have painted them! very cool! And yes, sometimes we just need the right inspiration to trick us into creating through play, instead of labour. 🙂
LikeLiked by 1 person
Yes that’s a lovely way to put it, Imke.
LikeLiked by 1 person
Both paintings are very joyful and modern. They do capture summer! 100 steps…such a challenge.
LikeLiked by 1 person
Thanks, Cathe. I don’t think he means it as one of those challenge-type things but as steps along the way that we take instinctively.
LikeLike
Delicious! (K)
LikeLiked by 1 person
Feeling the heat of those white areas against the red. Nice job, Michael!
LikeLiked by 1 person
Thank you so much, Laura.
LikeLiked by 1 person
I love the lose freedom, and lively red!
LikeLiked by 1 person
The reds snared me, Sharon!
LikeLike
Just so loose and lovely! 🙂
LikeLike
Thanks very much, Rebecca!
LikeLiked by 1 person
Perfect style for summer, and for loose, and for enjoyment!
LikeLiked by 1 person
Thanks, Eleanor, it did indeed feel ‘right’.
LikeLike
I too like the loose freedom and lively reds. Very summery.
LikeLiked by 1 person
Thanks, Susan!
LikeLiked by 1 person
These are both stunning! The reds are awesome… beautiful and alive! Nicely done, Michael! (this is nature right? hehe… tag it #NatureDoodlewash if you want to be in the gallery this month! 😉)
LikeLiked by 1 person
Heavens yes, will do! Thanks, Charlie.
LikeLiked by 1 person
I need constant reminders about enjoying the 100 steps along the way. I LOVE these cherry paintings! The juxtaposition of the rough paper again the smoothness of some of the strokes and the nature of the cherries produces just the right amount of tension in the otherwise happy and sunny subject matter.
LikeLiked by 1 person
Thanks ever so much, Teresa. They were certainly liberating to paint.
LikeLiked by 1 person
I haven’t looked at everything you do (yet!) but I can definitely say that I really like your pen and ink, and colouring techniques! I love the fruits/veggies that you’ve been painting lately!
LikeLiked by 1 person
Thanks ever so much – that’s very kind.
LikeLike
Thanks for an insightful post and striking artwork. Really like the freshness of the cherries!
LikeLiked by 1 person
Thanks ever so much, Jean.
LikeLike
Luscious
LikeLiked by 1 person
Hee hee – thanks, Rosie.
LikeLiked by 1 person
I like your wording: “not in any mimsy, nineteenth century Sunday afternoon sort of way.”
LikeLiked by 1 person
Thanks, Steve!
LikeLike
Reblogged this on From 1 Blogger 2 Another.
LikeLike
My very favorite fruit captured in a very delightful way! 🙂
LikeLiked by 1 person
Thank you – it was great fun!
LikeLiked by 1 person
Cherries are a wonderful subject, but particularly difficult for photographers (all that specular highlights can be very distracting). I love the humour of your grid and here’s a link to what it reminded me of: https://en.wikipedia.org/wiki/Nine_Network — the network’s logo. I prefer your first illustration, so natural.
LikeLiked by 1 person
Great! Many thanks.
LikeLike
Pingback: One small step | A Certain Line
I love both paintings, but the first especially–that quick, bold stroke of blue and then the soft spatters of blue, add so much. I’m reminded of that famous Zen painting of the six persimmons–so simple, and yet it says so much.
LikeLiked by 1 person
Thank you so much, Deborah. I’m very flattered to be compared to Mu Qi’s persimmons. Perhaps I’ll have a go at painting some myself. Thanks for stopping by!
LikeLike