Writer and artist Deborah Brasket generously compared my painting of Andalusian cherries from last summer to Mu Ch’i Fa-Ch’ang’s Zen painting, Six Persimmons. This inspired me to bring some of the lessons I learned at the recent Seawhite Studios still life course to bear on the subject that I find most meditative to paint: fruit.
This arrangement of Mediterranean fruits started life as a series of painted stripes, little of which is now evident. Building up the layers of colour over this underpainting was immensely pleasurable: teasing rounded shapes out of a linear background, adding and removing colour, pushing it around with my fingertips, using charcoal to produce a delicate shading and finally adding collaged phrases.
The phrases are from a London-based Palestinian chef’s received memories of the produce of her homeland. “Large, plump, tangy and bitter”, “so wild and fresh” and “drenched in orange blossom water” are so evocative of eastern Mediterranean food.
I was reminded of some weeks I spent on the island of Crete as a young man – so cut off from the rest of the world that I had no idea the Falklands War had started until I was told by an old man in a bar; a short visit to Lebanon nearly twenty years ago – such a beautiful, troubled, disorienting, sensuous, wonderful country; more recently, an idyllic holiday in Sicily where my former partner and I lived among lemon groves and avocado trees and a creature of some kind scuttled across our roof at about 10 each evening. In all these places the fruit seemed so much plumper, brighter and tastier than that we could find at home.
Separated by eight centuries and several levels of skill from Mu Ch’i, I nevertheless hope that this painting conveys something of the same Zen calm and brings some sweet Mediterranean sunlight into your February day.
You have lost me today, Michael, lost in to the depths of colour-ness and exploration of the art of growing in timeless direction. It was purposeful on your part, no doubt. No. Doubt. Perfectly all right. Brilliant in fact.
Many thanks from this side.
Raye
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Thank you, Raye. I’m glad you could share my Mediterranean adventure!
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I nominated you for the Blogger Recognition Award. Check out my post on it.
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Thank you so much for this, Jean, I’m very flattered. I recommended a list of blogs when I was nominated for another award last summer, but I’ll certainly mention you and the award in my next post. Thank you again – it’s so kind of you.
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I truly love your art and my secret is I wish I could do the drawings you do. They are very special. And you were my first friend in my blog journey!!
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That’s very sweet of you, Jean, I’m so touched. Some members of my family have laboured under ADHD so I have some understanding of your position, but the work you do is very powerful and a real tribute to your determination. Long may you continue in this direction!
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Thank you for the shout-out, Michael, and also for brightening my morning with these lovely oranges and your meditation on fruit and the Mediterranean.There is something essentially sensuous and sumptuous about fruit that wants painting.
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Absolutely – and thanks again for the comparison which led me to this.
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Mouth-watering stuff, Michael, and so perfectly paired with Kalla’s zesty descriptions. Beautiful!
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Thanks as always for your kind words, Jacob.
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Lovely, I could smell the zest of the fruit
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Hah, thank you Rosie!
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You still have me thinking about Jumping over Shadows, Michael. These fruits- also lovely.
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Thank you on both counts, Jean!
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I love the round on linear idea. I’m going to have to “borrow” that from you sometime! Beautiful descriptions of fruit. I know you used charcoal for the shadows but what was the other medium you used – oil?
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Thanks LuAnne, much appreciated. The picture is painted mostly in acrylics: I bought some Liquitex heavy acrylics for my Seawhite Studios workshop and they’re wonderful, very buttery and richly coloured.
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Thanks, Michael. I need some new acrylics; I’ll check out Liquitex.
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What a delicious painting! The shapes and colors are so rich. I’m playing with layers of paint in new ways, too. Isn’t paint grand!
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Thanks, Jeanette. Yes it’s delicious when it works but yesterday it eluded me completely! So it goes.
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! Thanks, Michael.
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Such a great picture. Gives a real essence of Andalusia, especially Sevilla, my home now.
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You are a lucky man, Barry! Thanks for your kind comment.
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Thanks yeah guess I am. Looking forward to more paintings. Do u ever try to sell them? Have a great weekend.
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Thanks Barry. Yes, I have sold a few but at the moment I’m more concerned with developing things and experimenting. You have a great weekend too.
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