I can’t judge from personal experience, of course, but I imagine that during these summer days a blue linen dress is a wonderful thing. It certainly is to draw.
Following my Seawhite course last week, a portrait I’ve had in mind for a few weeks has changed somewhat in the planning. This pastel drawing of a blue dress is an essential element in the composition and I wanted it to be larger and looser than originally conceived. It has, I flatter myself, some of the feel of Jim Dine’s bathrobes about it if Dine were to entrust his work to a much less talented studio assistant.
I posted this on Instagram last week and it has attracted a positive response which, along with my own feelings after the Seawhite workshop, encourages me to continue with this looser approach. I used about eight different blues from four different pastel manufacturers in this, plus a couple of reds and greens to bring the blue alive, and every one of those off-white Unison pastels I can’t resist whenever I go into Cornelissen in London ‘just to look around’.
So this is the dress. Once I have the opportunity to photograph the subject of this portrait and consider some other elements in the composition I can move ahead. In the meantime consider this an element in a work in progress, larger and looser than before.