October | 2017 | A Certain Line

Autumn Leaf (A3) mixed media

‘Tis the gift to be simple, ’tis the gift to be free…

I sometimes think that the Autumn, knowing what’s coming over the next few months, gives up little gifts as a kind of consolation. Winter’s coming, and where I live it’ll be grey and soupy. Sorry about that, sighs the Autumn, here’s a damaged quince, here’s a leaf containing more shades of red and green than you can name, here’s a late flowering rose.

Last Sunday – after a delightful, celebratory evening with a friend – I walked down to a nearby petrol station to buy a newspaper and a croissant (surprisingly good, believe me). On my way home, the wind blew a dried and twisted leaf in my path. The thing about following most creative journeys is that simple things can mean a great deal: the rotting fruit that I posted last week, for example, and now this leaf – a colour chart of Autumn shades. Almost anything can inspire, it seems.

I took it home and used it as a starting point, painting the colours much brighter than in nature and using broad brush strokes of watercolour. Only after the basic shape of the leaf was laid down did I draw the curling edges of the leaf in ink and add all the rest of the embellishments it now contains.

The leaf – my simple gift from a passing gust of wind – now sits on the table, growing ever more brittle and slowly losing shade after shade. If I had a German-speaking cleaner, no doubt (s)he would ask, “Ist das Kunst oder kann das weg (Is that art or can it be thrown away)?” The inspiration for this remark is said to be the famous incident around the Fettecke (Grease Corner) by Joseph Beuys. It consisted of 5 kg of butter installed in the corner of a room. On the day before a visit from a VIP, a janitor removed and disposed of it. As the result of a court case, the German state of North-Rhine Westphalia had to pay 40,000 DM in compensation to the owner.

So beware what you throw away. It might just be art after all.

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Rotting Quince (A5 ink and coloured pencils) 2017

When an apple is past its best it becomes a weirdly wrinkled thing. A pear ages particularly badly, appearing to be whole but beneath that perfect skin lurks a mushy interior. Grapes shrivel, pomegranates go brown and foul-smelling when cut open, mangoes turn into ochre bruises.

Quinces, however, are altogether different. They rot dramatically, their agony written across their flesh like a medieval martyr. Sometimes they split and the edges turn inwards as they discolour, producing a dark blue chasm that reaches down to the heart of the fruit. There is a faint smell of early morning in Spain around your fruit bowl as the dying quince starts to decompose. That beautiful yellow skin acquires brown spots, the base seems to turn inwards and produce bulbous curves like babies’ fists.

Those of you who have followed this blog for a while will know of my adoration of the quince. This fine example – the only fruit from a tree in my ex-wife’s garden – was irresistable. Wearing its fatal wound nobly it nevertheless tried to last the season, ripening in the south German sunshine. I wanted to commemorate its will to survive.

I’m still out there trying to move my art practice on to a different path: my heart wants to explore but my hand wants to draw and paint like it has for the past few years. This drawing is a good example: I had intended it to be a semi-abstract acrylic, it came out as an ink and coloured pencil illustration.

Then again, any representation of this wonderful fruit is worth your time. At least, that’s my view.

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