Jumping over shadows

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Abstract (55 cms x 48 cms acrylics 2017)

Without wanting to revive the debate about whether one needs to be taught or not, taking part in a workshop that inspires certainly works for me.

Last week I was fortunate enough to attend Katie Sollohub‘s still life course at the Seawhite Studios in the south of England. If you look at Katie’s website – or indeed Emily Ball’s, who runs Seawhite – you’ll notice that slavish realism is not their thing – the course was certain to be interesting.

In fact it was an intriguing mixture of formal exercises with the encouragement to go where those exercises led you. For example, we began by mixing a dark colour followed by a light, and juxtaposing them while experimenting with different edges to each block, which led to the abstract above.

For a still life course I came away with relatively few paintings of apples, jugs and flowers. Instead, it was suggested that I could use elements of the still life arrangement to create something more abstract. The picture below, therefore, includes a single small vase, while the wavy line and circles are the pattern on a batik cloth, the windmill shapes stylised versions of a fleshy plant, the magenta cross another motif from a piece of fabric.

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Abstract still life 1 (55 cms x 46 cms acrylics 2017)

I found another exercise – concentrating on negative spaces side-by-side with outlines of objects – led to the sort of straightforward composition that I was hoping to avoid. Katie’s answer was to simply paint over it, using the blue underpainting, as it now was, as an element in the new composition (below). Once again, I took parts of the set up to create a somewhat abstracted still life, rather than painting exactly what I saw on the table.

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Abstract still life 2 (50 cms x 40 cms acrylic 2017)

To say all this was exhilarating, refreshing and provocative is an understatement. I had hoped to have limiting beliefs challenged and they were: what I thought of as still life painting was deconstructed and reassembled into something fresh (for me) and alive.

The Germans have a saying about jumping over your own shadow, meaning to try something new, take a risk, dare greatly. That was certainly what I did last week, and I suspect its effect will be long-lasting.

 

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The year of painting dangerously

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Still Life (30 cms x 22 cms acrylic and coloured pencil 2016)

I’m preparing, mentally at least, for something I’ve wanted to do for some time – a three-day still life workshop with Katie Sollohub at the Seawhite Studios. For years I’ve looked wistfully at their website and Facebook pages, at students smeared in charcoal and paint having a wonderful time and breaking through their limiting beliefs.

I clutch on to a number of limiting beliefs: that I can’t paint, that I can’t do anything on a scale larger than A3, that I don’t know how to use certain media. Some of these, I hope, will be challenged and possibily even dispelled at the end of this month. It’ll be wonderful to work with an artist like Katie Sollohub whose style is loose and free and very different to my own. I’m also hoping to work with multi-media artist Doug Selway soon, again exploring aspects of painting that I would find difficult to confront on my own.

Why all this sudden activity? Well, you can only tell yourself stories for so long before they become real. As we learned from the poem I posted last week, one must ‘keep changing, you just get more who you really are‘. I am, I hope, someone who can paint without inhibitions, without the limits I seem to want to impose upon myself. It was time to paint ‘dangerously’.

The picture above – although small in scale – is a product of such abandon. I’d made a mess of something and had lots of unused acrylic paint left over. Without first drawing or sketching out a composition, without even setting up a still life group, I used up the spare paint and just made it up as I went along. The result is no masterpiece but neither is it completely worthless (and it was fun to do because there were no expectations and no borders to fear).

Watch this space…

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