Do you ever have that thing where you buy a new book – perhaps one that you’ve been waiting to turn up for a while – and when it arrives you can’t bear to read it because you want a time free of interruptions to do it justice? What’s more once you’ve read it, you won’t have it to look forward to any more.
At the moment, Krazy, a life of Krazy Kat comic artist George Herriman, by Michael Tisserand, sits on my table unread until my next holiday. If you don’t know Krazy Kat, there is much online, and if you do, you’ll want this already acclaimed biography.
The subtitle of the book is worth mentioning, George Herriman, A Life in Black and White. This refers not only to the black and white Krazy Kat comics, but also the fact that Herriman, know as ‘The Greek’ because of his swarthy complexion, was actually African American, born to a Creole family that hid its racial identity in the dangerous days of Reconstruction.
Herriman began publishing Krazy Kat cartoons in 1916, but the strange adventures of Krazy, Ignatz the abusive mouse, and lovesick Offisa Pupp still charm and amaze today, seeming both contemporary and timeless. But look behind the main characters in his strips and you’ll see backgrounds that repay careful study. Shifting vistas inspired by Monument Valley and the Enchanted Mesa come and go, a rocky outcrop in one frame replaced by a shack with a crooked chimney in another.
I was always fascinated by his trees, however, which twist and zigzag in ways that few do in nature. I was so captivated by them that I filled this sketchbook page with a few examples. Unusually for me, I copied them line for line – after all, who could improve on Herriman? I posted this drawing when I first started this blog, but as I only had about three followers then, I don’t mind posting it again.
Now that you’ve read this, please go down to your local independent bookshop – no, don’t click on you-know-where – and order a copy of Michael Tisserand’s Krazy.