In January 1946 a fire broke out in Arshile Gorky’s Connecticut studio, destroying two dozen paintings and many drawings. The following month, he was diagnosed with rectal cancer and endured debilitating surgery. A couple of years later, he broke his back and lost the use of his painting arm in a car accident; shortly afterwards, his wife moved out with their children, and so, heart and spirit broken, Gorky hanged himself in his barn after writing the words “Goodbye, my loveds” in chalk letters on a crate.
The tragedy of Gorky’s final years was mirrored by the hardships of his early life. Brought up among the persecuted Armenian community in Turkey, he and his family lived as hunted refugees: his beloved mother died of starvation in his arms before, still a teenager, he was able to escape to the United States.
Yet in between, he produced some of the most joyful art you could wish to see. Something of a father to the abstract expressionists, and an enormous influence on Willem de Kooning, he painted sensuous, organic forms, coloured with crayons or thin washes of oil paint. Titles such as Pastoral or Virginia Summer give some sense of his work’s roots in the natural world, as do the abstracted forms of seed-pods, fungi and bulbs that inhabit his paintings.
I was reminded of Gorky by an article by Holland Cotter in the New York Times, a review of an exhibition of his landscapes at Hauser & Wirth, “an exhibition as manic and tender as a Schubert song cycle.” He looms large in Mark Stevens’ and Annalyn Swan’s magnificent biography of De Kooning and his retrospective at the Tate Gallery some years ago was a revelation.
I wanted to do something in honour of Gorky that wasn’t intended to copy him so, being still engaged with collage as much as drawing or painting, I put together the piece that heads this post. The shapes are hard-edged and angular where Gorky’s are sensuous, their positions in the grid formal where his are abandoned, but the curling shapes owe something to his vision, confined as they are here to the background.
If you don’t know Gorky’s work and you’re lucky enough to live near New York City, I would urge you to visit the current exhibition. For the rest of us, there is an excellent biography by his son-in-law, Matthew Spender, and resources are plentiful online. Once seen as a somewhat derivative painter who put together elements of Cezanne, Picasso and the surrealists, he is now recognised as an important figure in the development of abstract art and a painter of subtle beauty. Once seen, his paintings and drawings, born out of his early suffering, can never be forgotten.
Dear Michael, an absolutely lovely painting;one of your best. Congratulations!
Balint
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Thanks Michael, I am glad to learn of Gorky, I was unfamiliar with his story and his work. Nice to see your ongoing work with collage, I like it alot. I also switch media between painting, drawing and collage. Keeps it all fresh, I find.
enjoy the dark days marking the end of this year, beyond them lies the beginning of a new year, and eventually….spring! Sarah
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Thank you, Sarah. Gorky’s is definitely a story worth reading – a sad yet noble man.
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Thank you for introducing me to Gorky. I love his work, and you are right, it does not seem to reflect his tragic life, but rather I suppose the spirit of the man and the things he loved. Truly inspiring.
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Great, Deborah. I’m so pleased you enjoyed dear old Gorky.
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This is a beautiful piece of artwork. I didn’t know about Gorky’s life before, how sad…..
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Yes, isn’t it? Yet his art was so full of joy… Thanks for your kind comment on my piece too.
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☺
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Informative and inspiring.
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Many thanks.
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I like your piece so much. I will look into the Gorky book. But here I’m focused on your piece. A joyful clarity.
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Thank you so much, Claudia. I feel the need to produce bright paintings during these wintry months.
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Yes. I understand that feeling 100 percent. I hope to see more from you, I do love your work.
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The colors and textures of this piece fill me with joy. What an interesting post. His hardships help me keep my year in perspective. I wish you a happy and healthy 2018!
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And the very same to you, Jeanette, may it be happy and creative.
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collage is a wonderful way to combine something that is like drawing and painting melded together into one vision & how lovely to make a tribute to an artist whose work you love using such vibrant colors
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Thank you Aletha.
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Reblogged this on From 1 Blogger 2 Another.
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Thank you.
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You’re welcome Michael.
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