Drawing in a museum can be enormously rewarding, if only because you have access to a range of still life objects so very different to those cups and vases you have at home (unless you’re a member of the Getty family).
It’s also interesting to compare the reactions of other museum visitors in different countries. In the US – New York at least – people will come right up to you and stare at your drawing, sometimes even offering advice and comment. In Europe, they’re more likely to ignore you, at the most letting it be known through complex body language that you’re somewhat in the way.
In England, dear land of perpetual embarrassment where it is customary to apologise for things you haven’t done, your fellow visitors will stand ostentatiously to one side, staring hard at the object, letting you know that in no way are they looking at your drawing because from this angle it would be nigh on impossible to see it. Even if they wanted to. Which they don’t. Not because it isn’t any good, you understand, but because it’s none of their business. You carry on drawing – I’ll stand over here. Sorry.
These pots – don’t you love a grid? – are developed from some Anglo-Saxon objects in Oxford’s Ashmolean Museum. I was able to draw them, unhurried and unmolested, over a number of visits and then assemble them in this minimal yet graphic style.
Beautifully done. I haven’t visited the Ashmolean for a hundred years. Think I need to pop along for a catch up soon, respecting of course the space of those who are drawing and keeping my eyes well averted from their work, sorry, sorry, sorry.
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Well you know I do love a grid. And this is a good one.
Yes, people do always look blatantly and comment here in the US. Even the guards give advice! (K)
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I thought of you when writing about grids, Kerfe! Thanks for dropping by.
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Oh! Sorry, Poppet, didn’t see you there. Sorry, sorry, Luv but could you repeat that? I was so looking else where and, so sorry, didn’t catch what you were not doing…
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I luv grids…
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Hooray!
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Unmolested sounds a success to me! We do indeed love a grid. Very satisfying to see shapes arranged in such a way – great stuff.
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Ta very much, Jacob!
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Dear Michael,I love your drawing as much as your loving descripti
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Thank you so much, Balint.
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I had to smile reading your post. There was a sketchcrawl in a local museum on sunday and yes… Europe… Germany to be precise. And you described the situation well! But there is another species of visitors. Staring at the sketch. Then at the statue (or whatever the sketcher is sketching). Again at the sketch. Shaking heads and leaving :-)))
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Thank God I’ve never encountered one of those! I’d crawl home in shame.
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I love the style 😀
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Thanks Rosie, much appreciated.
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I meant to write this, when I saw it but ran out of time that day. But I was quite entranced with this.
the contrasts… the design. the hints of symbolism held within this image that just – makes me Wonder!
each vessel…. said like you meant it.
I Loved That!!!
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Thanks Debi. I’m so pleased you enjoyed it.
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🙂
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I do like a grid and this arrangement of pots is lovely. And I fully enjoyed your description of drawing in a museum. I haven’t done it in a really long time and now I want to!
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Off you go, Jeanette!
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Love your comments and love your drawing itself!
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Thank you so much, Rose!
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